If you moved to WordPress after writing on Naver Blog or Tistory, you probably noticed it.

Open the writing editor and something feels oddly empty. At first, it can be hard to identify exactly what is missing. But think about it for a moment and the answer becomes clear: stickers.

Open the Naver Blog editor and you’ll see a sticker button sitting right alongside the text, photo and video buttons by default.

With just a few clicks, you can add a character sticker that conveys an emotion directly to the body of your post.

This wasn’t an add-on introduced later. It reflects the way Naver was designed from the outset, based on the premise that a blog is a space to decorate and express yourself emotionally.

Tistory is similar, although the experience varies somewhat.

Among Korea’s major blogging platforms, it is harder to find one with no sticker or emoji features at all.

On Naver and Tistory, whenever you wondered, “How do I express this feeling?” there was already a button waiting for you.

WordPress Is Flexible—but Its Default Setup Is Bare

Move to WordPress, however, and the situation changes.

One comparison article pinpoints the difference precisely.

Naver Blog has a closed structure that offers little room for expansion beyond its built-in features, while Tistory allows only a limited selection of third-party plugins to be added after review.

WordPress, by contrast, has a far larger and more open ecosystem of themes and plugins.

As the world’s most widely used content management system, WordPress lets you handle everything from SEO, security and speed optimization to backups with a single plugin.

Strangely, though, the one feature that feels utterly basic to Korean blog users—a sticker that helps express an emotion—has remained conspicuously underdeveloped in the WordPress ecosystem.

There are dozens of competing SEO plugins and dozens of form builders, yet tools that let you place character stickers naturally within the body of a post have been comparatively hard to find.

It wasn’t that the feature couldn’t be built. WordPress was simply seen from the start as a practical tool, so no one thought to add a layer of emotional expression.

For years, WordPress users tended to choose the platform for function-focused purposes, such as corporate websites, online shops and portfolios.

That was a different culture from the casual blogging scene built by Naver and Tistory users, who used their blogs to record everyday life and personal feelings.

The two ecosystems therefore evolved in different directions. WordPress became overflowing with practical plugins, while a sticker culture for expressing emotions never really took root.

Decoblocks is designed to fill that gap.

It brings the experience of “sticking a character sticker into the body of a post”—something Naver and Tistory users took for granted—to WordPress, a far more flexible and powerful platform.

You get to keep WordPress’s freedom while adding the expressive, hands-on feel that was once a given only on Korea’s domestic blogging platforms.

If WordPress felt somehow empty after you left Naver or Tistory, this was what was missing. Now, that gap can finally be filled.

They use the same WordPress theme as everyone else, so why does one blog feel unmistakably like its owner’s?

Browse a few portfolio sites and you will often find blogs using what appear to be very similar WordPress themes. Yet some create an immediate sense of recognition: “Ah, this must be that person’s site.”

Others may offer excellent writing and plenty of useful information, but leave little lasting impression. The fonts look similar, the layouts look similar—so where does the difference come from?

A brand is not a logo; it is consistency.

Research and writing on brand strategy consistently point to one thing.

David Aaker, one of the leading scholars of brand identity, identified consistency and continuity as two of its most important qualities.

The reason a single logo or slogan can instantly bring a particular brand to mind is not simply that the element looks good. It is that people have encountered it in the same form, again and again, over a long period of time.

Through visual elements they repeatedly encounter across different touchpoints, people begin to perceive a brand as a distinct presence.

Strong brands are not remembered because they are flashy, but because they present the same face everywhere.

The same principle applies to personal branding.

If we apply the brand prism model often cited in marketing to an individual, the “personality” dimension is expressed through their manner of speaking, tone of voice and character.

Expertise and information alone do not turn people into fans.

There also needs to be something human—something that conveys the person’s individual character—for it to become a genuine “brand.”

What a character brings to a personal brand

Interestingly, design research on the visual branding of individuals maps out this progression with remarkable clarity.

It suggests that character design—from a personal mascot to emotion-expressing emojis and then to an avatar representing another self online—offers an effective visual way to express a personal brand.

The observation that celebrities have built distinctive identities alongside their skills in order to reach the top of their respective fields follows the same logic.

In other words, no matter how good the writing is, text alone has difficulty leaving people with a strong impression of “me.” But when the same character appears repeatedly in every post, comment and announcement, visitors gradually begin to remember the space as a personality in its own right.

Information passes by, but a face that keeps returning stays with you.

The template may be the same, but the recurring character is different.

WordPress themes are used by thousands, even tens of thousands, of people.

No matter how much you customise one, it still has structural limitations.

But the character layered on top of it is a different story entirely.

The expression on a character displayed above an announcement, a greeting sticker that appears at the end of a post, or a reaction attached to a reply in the comments—when these small repeated details accumulate, visitors eventually develop a feeling that says, “This is what this blog feels like.”

That is how a blog can feel unmistakably like a particular person’s, even when it uses the same theme as everyone else.

Decoblocks is a tool designed to make that repetition possible. Once you choose a character you like, you can place it consistently throughout your blog.

Other people may be able to write similar informational posts, but no one can recreate a space where the same character appears repeatedly in the same tone.

In the end, what remains as a brand is not how elaborate the theme was, but how consistently you kept showing up with the same recognisable face.

Have you ever reread a message after sending it?

Maybe you typed, “I understand.” Then, worried it might sound cold, you added a tilde or an emoji. It may seem like a small thing, but moments like this reveal how uneasy we often feel about text as a medium.

When we are speaking face to face, imperfect wording is rarely a serious problem.

There are facial expressions, vocal tones and gestures. The words “It’s okay” can offer comfort when accompanied by a smile, yet sound like rejection when delivered with a hard expression.

But once all those cues disappear and only the text remains, the same sentence can be read in completely different ways.

Communication researchers describe this as the absence of nonverbal cues in online conversation.

On a screen where only text remains, nothing takes over the role that facial expressions and body language play in face-to-face conversation.

The same sentence—“Yes, I understand”—can sound compliant in one context and cold in another. The problem is that neither the sender nor the recipient can be certain of the difference from text alone.

That is, in fact, why emojis first became so widely popular.

In the early days of text messaging, when character counts were limited, it was difficult to convey emotion in a short sentence—and easy for the message to be misunderstood.

Emojis emerged to bridge that gap and quickly became part of everyday communication.

One survey found that by around 2015, 80 percent of users in South Korea said they used mobile emojis regularly.

A single small image can change the temperature of a message.

This is not merely a matter of personal impression; the effect has been demonstrated in research.

Studies of online communication have found that when the emotional tone of an emoji matches the emotional tone of the accompanying text, ambiguity decreases and recipients understand the message more readily.

In other words, a single image can make a sentence clearer. The expression on a character’s face can convey nuances that words alone cannot fully explain.

But images were not the answer for every emotion.

There is an interesting twist, however. Research comparing the effects of different emotional types found that graphic and animated emojis were more effective when conveying happiness or pleasure. For unpleasant or negative emotions, by contrast, text-only messages proved more effective. When the emotion is delicate—comfort or an apology, for example—a plain sentence may feel more sincere than an elaborate image.

Ultimately, the question was not “Image or words?” but “What will convey my sincerity more precisely in this moment?”

That leaves us with a question.

Why has this problem been addressed only inside messaging apps such as KakaoTalk?

The same issue arises when we write a blog post, leave a greeting on a website or share our feelings in a comment.

A post packed with text may be precise, yet still feel stiff. Often, the warmth behind what we really wanted to say fails to come through.

Decoblocks is an attempt to bring this language of emotional expression—once used mainly in messaging apps—to blogs and websites.

A nuance that words cannot quite capture, a sentence you hesitated to write because it might sound too formal—place a character beside it, and the same text suddenly feels much more like you, and much more sincere.

The habit of reaching for an emoji whenever words did not feel like enough can now continue on your own blog.

In the end, the experience section of a résumé usually comes down to a company name, dates of employment and job title.

There is rarely room to explain exactly what you built or how people actually responded to it.

A portfolio is different.

If a résumé tells people where you worked, a portfolio is the one place where you can show them directly what you are capable of creating.

Career guides that have spent years studying the design hiring market tend to agree on one point.

Portfolios made up of little more than basic website builds and freelance assignments tend to make a weaker impression.

What employers look for instead is problem-solving ability.

Projects are far more persuasive when you can explain why the work was necessary, what problem you were trying to solve and what real-world impact the result had.

A polished mock-up may look impressive, but a single line saying, “This was actually used in this way and produced these results,” is more likely to hold a hiring manager’s attention.

The problem is that most in-house roles and freelance projects are structured in ways that make this story difficult to tell.

Company projects are often covered by confidentiality agreements, while freelancers frequently hand over not only the finished work but the story behind it to the client.

As a result, many designers feel they do not have enough of their own story to include in a portfolio.

That is why career guides often recommend filling gaps in project experience with side projects or personal creative work.

There is one important distinction, however.

Personal side projects are not all the same.

Some are practice projects built around an imaginary client. Others are real products put on the market and purchased by strangers willing to pay for them.

From a hiring manager’s perspective, these two kinds of work tell very different stories.

The first shows the potential that “this person can make something,” while the second proves that “something this person made actually worked.”

DecoBlocks gives you a platform to create the latter.

A character listed on the WordPress marketplace can be sold, licensed and used on real websites. The process itself becomes a real-world project.

This is not a hypothetical statement—“I can make things like this.” It is proof: “I created this character, and it has sold this many times.”

The strongest line in a portfolio ultimately takes this form: “I solved this problem in this way, and it led to these real-world results.”

DecoBlocks is one of the few ways to complete that final sentence.

Whether you move to another company or become a freelancer, there comes a point in every career when you have to prove what you have actually made.

It would be a shame if the only thing you could show at that moment were internal presentation decks.

The characters you list on DecoBlocks, along with their sales records, preserve a story in your portfolio that could never fit into a single line on your résumé.

The character you draw today could become the most persuasive page in your portfolio when it is time for your next job move or career change.

After staring at a character you have been working on for days, there comes a point when you can no longer tell whether it is well drawn or not.

Because there is no one to ask.

Ever felt worn out from creating alone? How creators support one another

There is no colleague sitting nearby, no team leader passing by with a quick comment. It is just you and your monitor, with every decision resting on your shoulders. Anyone who has ever made a living from creative work has likely experienced this moment at least once.

This is not a problem of individual personality.

In one survey conducted in the UK, nearly half of freelancers described their working environment as “lonely and isolated.”

The situation is no different in South Korea.

A study of adults found that 47.5% of all respondents usually experienced loneliness. Among people living alone, that figure rose to 62.1%.

For freelancers and creators who build their own workspace and make every decision on their own, these figures feel particularly close to home.

For office workers, loneliness may mean having plenty of people around but no one to share your feelings with. For creators, it can come closer to having no one to ask in the first place.

This is also why creative work can be especially lonely.

A proposal or report may be reviewed by colleagues, but the process of completing a character usually comes with no midway check-in.

From beginning to end, you have to make the decisions, revise the work and decide for yourself when to say, “This is good enough.”

When the finished work is finally put out into the world and met with no response, that silence can be exhausting, regardless of your actual ability.

What we need, then, isn’t a system but people

This is one of the areas Decoblocks cares deeply about.

There are things that even a good plugin or a convenient marketplace cannot provide.

Someone you can ask, “What do you think of this?” Someone who will say, “This is good,” when you upload a new character. Someone who will laugh with you and say, “I’ve been there too,” when your work is rejected. That kind of presence is what matters.

That is why Decoblocks does not want to treat individual designers as merely “vendors.”

We are putting just as much effort into building relationships where creators can exchange feedback on one another’s work, share the know-how and lessons learned from registering characters, and ask someone with more experience for advice when they feel stuck.

It may still be too early to call it a fully established community, but our direction is clear.

We know that when someone grows tired of creating alone, it is often another creator’s words that give them the strength to start again.

Well-designed tools make the work easier, but the people beside you are what help you keep going.

Sometimes, simply knowing that you weren’t the only one feeling this way is enough

Sometimes, simply knowing that there is someone somewhere wrestling with the same concerns is enough to give you the strength to draw the next character.

Joining Decoblocks is not just about gaining another distribution channel. It also means finding a place among people who create while carrying many of the same concerns.

If you have ever grown tired of creating alone, perhaps it is time to try creating with someone by your side.

Feeling alone is common—more common than you might think

At 9 p.m., after the workday ends, more and more people are switching on a different screen instead of the one bearing their company logo.

Not long ago, someone with a side hustle might have been told, “You’re certainly hardworking.” Now, it can feel more unusual not to have one.

According to a recently released report on single-person households in South Korea, 59.6% of people living alone now have a second job or side hustle alongside their main job.

That figure stood at 42% in 2022. In just a few years, it has climbed to six in ten.

The proportion is even higher among people in their 20s, reaching 69.1%. In other words, two out of every three are already working two or more jobs.

But there is one important point to consider.

Although the number of people taking on side work is rising rapidly, statistics show that their hourly earnings are actually declining.

In other words, income is not keeping pace with the additional hours worked.

That is because most side hustles—delivery work, casual jobs and other forms of gig work—depend on people putting in more time and physical effort.

Ultimately, it is a system in which people have to sell their time and energy all over again after already spending them on their main job.

Digital products require neither inventory nor shipping boxes.

Take character merchandise, for example.

A creator who makes and sells stickers or plush toys has to place production orders, store the inventory somewhere, pack each order as it comes in and make trips to the post office.

Every one of those steps takes time. After finishing their main job, they have to spend the evening wrestling with shipping boxes instead.

Digital sticker packs work in a completely different way.

Once a character has been created and uploaded, there is no inventory to manage, no shipping and no processing returns.

The moment someone makes a purchase, the product is delivered automatically, leaving the designer free to do something else. Sketching a few ideas on the commute, adding color during lunch and spending 10 minutes before bed uploading the finished work to a marketplace—that is enough for creation and distribution to keep moving with just a few spare moments.

If a side hustle demands more time, it is simply another burden for someone already exhausted.

When a business can run on the scraps of time left over, those moments become breathing room rather than another burden.

Not a schedule, but fragments of time

What people juggling multiple jobs may really need is not “more time,” but a system that lets them use the spare time they already have without wasting it.

The WordPress marketplace being built by Decoblocks is designed around that kind of system.

There are no fixed working hours, inventory warehouses or shipping cutoffs. Designers can create when they feel like drawing and upload their work when they are ready; the system takes care of the rest.

For people whose main job already makes each day feel overwhelming—and who do not want the time they spend drawing what they love to become another form of labor—Decoblocks hopes to provide a space that fits into the gaps.

These days, it is becoming harder to go anywhere online without encountering an image made by AI.

Thumbnails, blog cover images and even illustrations for news articles can all be produced in seconds with just a few lines of prompts.

Ironically, though, the more common these images become, the more muted the public response seems to be.

Why the Word “Slop” Emerged

One term keeps appearing in commentary on the content industry in 2026.

That term is “AI slop.” It describes the indiscriminate flood of crude, unedited AI-generated material propelled by algorithms. Across the industry, observers say the deluge is already leaving many people exhausted.

The next point is particularly interesting.

In the age of AI, some argue, humanity’s greatest defense is our tendency to get bored easily.

As unpolished AI output is repeated over and over, the quality of the content experience declines. Before long, audiences begin filtering out that repetition almost unconsciously.

Even images that seemed amazing at first start to feel like “here we go again” when the same compositions and expressions keep repeating.

This is not simply a matter of personal taste.

Even within art communities, there is a growing view that no matter how widely AI-generated images spread commercially, they will ultimately form a market distinct from work made by human artists.

AI images are built by learning from vast libraries of existing work, critics point out, which means they cannot create genuinely new trends on their own. Inevitably, they may reach a point where consumers no longer find them fresh.

What Becomes Rarer as It Becomes More Common

Paradoxically, another trend is emerging at the same time.

Analysts of design-industry trends note that the deeper AI moves into the practical work of design, the more a countertrend is taking shape—one that returns to craftsmanship and human-centered design.

In reaction to mass production and digital saturation, interest is growing in work that bears the mark of the human hand and in more personal forms of creation.

When you think about it, this makes perfect sense.

When anything can be copied endlessly, the one thing that cannot be replicated—the line drawn by a particular person, an artist’s distinctive habits of expression, the imperfect details that make a work feel warm and familiar—acquires scarcity value in its own right.

AI can now produce a technically impressive image without surprising anyone. What is surprising, instead, is the moment someone asks, “Did a real person actually draw this?”

When everyone can use the same tools to produce similar results, the real differentiator in the market is simply this: “This is something not just anyone can make.”

This is why Decoblocks filters out low-quality AI-generated content when reviewing sticker packs.

It is not simply because the company “dislikes AI.” Taking a clear-eyed view of the market, Decoblocks has concluded that the assets worth building now are not pieces of content that will become commonplace overnight, but those that will grow rarer over time.

In an era when anyone can enter a prompt and get a similar result, characters created by individual designers through their own hands and sensibilities are, by their very nature, impossible-to-replicate assets.

Decoblocks aims to become a place where those characters can come together. Amid the flood of AI slop, creations shaped by the human hand are becoming the ones that stand out. We believe we are now entering that era.

How to Check Your Sales Directly on a Real-Time Dashboard

There is often a surprisingly long wait between receiving a notification that something has “sold” and seeing the money actually arrive in your bank account.

This is one of the recurring frustrations across the creator economy.

You may have a general sense of how many items you have sold, but ask exactly when and how much money will reach you, and the answer is often far less clear.

Take the actual settlement process for Kakao emoticons as an example.

Sales figures become available from the day after launch. But that is when the real wait begins.

After fees are deducted, settlements are calculated in the month after the sale, while the money is not actually deposited until the following month.

Even excluding the time required for approval and counting from launch, creators have shared experiences suggesting that it can take as long as eight months for the first settlement payment to appear in their bank account.

Knowing how much you sold and knowing when that money will actually become yours are two entirely different things.

The fee structure is also difficult to understand at a glance.

When a 2,500-won emoticon is sold, there is first a 30% in-app purchase fee from the App Store or Google Play, followed by the platform’s fee. The creator ultimately receives roughly 30% of the sale price.

The calculation itself is public. In practice, however, there is no separate window where creators can monitor in real time exactly how many of their emoticons sold that month and how much of the proceeds has been confirmed as their share.

Until the monthly settlement statement arrives, creators can do little more than make a rough estimate themselves.

When settlements are slow and opaque, the problem goes beyond simply being paid late.

If you cannot estimate how much money will come in this month, it becomes difficult to make practical plans—such as whether to invest in your next project or take on more work elsewhere.

And if creators have no way to verify the settlement details themselves, they have no choice but to take the figures on trust.

Trust without a way to check the numbers: that is the structural problem the creator economy has been living with for years.

Here’s How Decoblocks’ Real-Time Dashboard Works

Decoblocks Marketplace is tackling this problem by giving creators direct, immediate access to their sales data. Here is how the process works in practice.

1. Sales Appear Immediately — When a sticker pack is sold, the transaction recorded by the payment system, such as Gumroad, is synced directly to the marketplace dashboard. There is no need to wait until the end of the month; each sale can be checked individually.

2. License Status and Revenue Appear Together — The dashboard shows more than simply how many items were sold. On the same screen, creators can see which domain each pack is licensed to and whether any refunds or cancellations have occurred.

3. Cancellations and Refunds Are Reflected Transparently — When a refund occurs, the relevant license is automatically revoked, and the change is immediately reflected in the revenue data on the dashboard. The system is designed so that no “hidden deduction” emerges later.

The difference between figures you have to wait eight months to see and figures you can view the moment you log in today ultimately determines how much creators can trust this work—and continue doing it.

Rather than making a big claim about cutting the settlement cycle by a few days, I believe the more meaningful change is to let creators open and check their current sales figures for themselves, right now.

Decoblocks is putting its effort into that one thing: creating a structure that creators can verify directly.

The Age of Character Copying?

Anyone who has created a character has probably felt this unease at some point.

“Could the character I drew be turning up somewhere without my permission?” In reality, that fear is not unfounded.

As illustrated by the “Protection Project” undertaken by one character brand itself, popular characters in South Korea continue to be targeted for unauthorized copying.

The most common—and often most damaging—form of infringement involves taking a character image without permission and using it on merchandise, printed materials, or packaging.

The problem is that this kind of infringement often goes undetected until the products have already been mass-produced and distributed through overseas manufacturers.

By the time the creator notices, a substantial quantity may already be circulating on the market.

Late discovery is a problem, but an even bigger one comes afterward. Even if you say, “That is my character,” many creators have no clear way to prove it.

Experts generally recommend the following order of response.

First, secure screenshots of the sales page, the URL, and the seller’s information. Then report the infringement to the Copyright Protection Agency or, if necessary, proceed with legal action.

And throughout this entire process, one factor can make a decisive difference.

Whether the work was registered in advance.

Registration does not create copyright, but when a dispute arises, it can significantly strengthen your ability to prove that the work was originally yours.

A structure that stops leaks before they happen, rather than reacting afterward

Legal action is, in the end, a response after the fact.

It means spending time and money to fight back after the work has already leaked into the market.

Decoblocks is focused on what comes before that stage.

The goal is to prevent images from escaping beyond the sales page in the first place.

In the WordPress ecosystem, it is common for people to obtain an image URL directly and load the image on another website without permission.

A basic way to prevent this is hotlink protection: the server blocks access so that an image is not displayed unless the request comes through a legitimate payment or licensing process.

This creates a structure in which the original image cannot be accessed without going through the sales page.

Recently, Decoblocks discovered and immediately patched a security vulnerability that allowed users who had not paid to access certain paid sticker packs through a specific path.

That means the company is continuing to strengthen the system that filters out unlicensed access at the source.

In addition, the platform is developing a system in which a license is automatically revoked when a payment is canceled or refunded, then automatically restored when the license is registered again with the correct domain.

Ultimately, these safeguards all serve a single purpose.

To ensure that a character registered by a designer reaches precisely—and only—the people who have paid for it.

There is no such thing as a perfect shield. But there is a clear difference between having no safeguards at all and continually finding and sealing the gaps through which things could leak.

For designers, the most important question is ultimately this: “Can I create with peace of mind?”

It is difficult to produce good work while worrying that a character you created could be copied and circulate anywhere.

What Decoblocks is building is not a flashy marketing promise, but the largely invisible work of closing these gaps one by one.

We will not claim that the system is perfect.

But we can say with certainty that Decoblocks is taking this problem seriously and continuing to improve its protections.

If you work as a freelance designer, you know the pattern well.

You land a project, pull an all-nighter to finish it, check that the payment has come through, and then start looking for the next project.

One survey found that freelance workers in South Korea earn an average of about 1.83 million won a month.

That is despite working an average of 33 hours a week. It is not because they are not working hard.

It is because the system itself is structured that way.

Sell your time, and you only earn for the time you sell.

That is the nature of freelance work.

Draw five logos this month and you get paid for five logos. Stop working next month, and your income stops with you.

You can raise your hourly rate as your skills improve and charge more as you gain experience, but the underlying formula remains the same.

Time worked = money earned. Within that formula, no matter how much your skills improve, you cannot escape the physical limit of 24 hours in a day.

A well-drawn illustration pays into your bank account only once. The next month, you have to start over from scratch.

Yet creators who earn money through an entirely different formula already exist.

KakaoTalk sticker artists are a prime example.

According to industry figures, 24 artists generated more than 1 billion won in annual sales on Kakao alone. On LINE, statistics show that the top 10 artists averaged more than 4 billion won in sales.

Of course, not everyone earns anything close to that. There is also the more practical reality that an artist may receive only a few hundred won per sticker sold after settlement.

What matters is not the size of the numbers, but how the system works.

Once a character has been drawn and uploaded, it can keep selling while its creator sleeps or works on something else. That is the fundamental difference from freelance work.

Creation that becomes an asset, creation that gets consumed.

In financial terms, the distinction is straightforward. Freelance work is earned income, while licensing is closer to income from an asset.

Earned income stops the moment you stop working. Asset income, by contrast, comes from something you have already created that continues generating cash on its own.

In real-estate terms, freelance work is like being paid a day rate for each day you work. Licensing is more like renting out a property.

Build a house once, and it can generate rent every month while you spend your time on other work.

The same is true of characters.

When you create a character for a single client and transfer the copyright, its value as an asset ends there.

But a character built to be licensed repeatedly to multiple users becomes, from the moment it is created, not merely a product for sale but an asset that generates revenue.

That is the system Decoblocks is building.

Once a character sticker pack is listed on the WordPress marketplace, it can be sold repeatedly to different users.

Even when the designer is no longer drawing, the character already in the marketplace can continue circulating through the distribution network.

Freelance work keeps making you ask, “I’ve finished this job—where will the next one come from?” Asset-based creation changes the question to: “This is selling on its own now, so what should I create next?”

It may start small, but the way it builds is different.

To be clear, listing a single character will not make you rich overnight.

Among sticker artists, only a small number have earned hundreds of millions of won from their first character. Most start with just a few hundred thousand won. But the important part comes next.

As you continue adding a second and third character, your income does not grow only by the amount generated by each new creation. It grows on top of the revenue from the characters you have already registered.

Freelance work takes you back to zero every month. A licensing model starts each month on top of what the previous month has already produced.

A system where designers do not have to keep selling their time, where a single act of creation can continue generating value—Decoblocks aims to make that system available to character designers.